
What is the filmmaker trying to accomplish with the montage interspersing African-American artists and local African dancers and children, Mobutu Sese-Soko and maggots, and some rather explicit sexuality?
What is the role of music throughout the film, both for Africans and African-Americans?
What do you think is the political message the filmmakers are trying to make? In other words, what is their main argument throughout this film?